Live Your Life Feat. Rihanna Lyrics

(Rihanna):
You're gonna be a shining star, fancy clothes, fancy car-ars.
And then you'll see, you're gonna go far.
Cause everyone knows, who you are-are.
So live your life, ay ay ay.
intead of chasing that paper.
Just live your life (Oh!), ay ay ay.
Ain't got no time for no haters.
Just live your life (Oh!), ay ay ay.
No telling where it'll take you.
Just live your life (Oh!), ay ay ay.
Cause I'm a paper chaser.
Just living my life (ay), my life (oh), my life (ay), my life (oh)
Just living my life (ay), my life (oh), my life (ay), my life (oh)

(T.I.):
Nevermind what haters say, ignore them 'til they fade away.
Amazing they ungrateful after all the games I gave away.
Safe to say I payed the way, for you can't get paid today.
You still be wasting days away, nah had I never saved the day.
Consider them my protégé, homage I think they should pay.
Instead of being gracious, they violated in a major way.
I never been a hater still I love them, yeah I graze the way.
Some say they so yay and no they couldn't even work on Labor day.
It aint that they black or white, their hands of area in shades of grey.
I'm West side anyway, even if I left the day it fades away.
Some move away to make a way not move away cause they afraid.
I'll go back to the hood and all you ever did was hate away.
I pray for patience but they make me want to face away.
Like I once made them scream, now I could make them plead their case away.
Been thuggin' all my life, can't say I don't deserve to take a break.
If you ever see me catch a case, and watch my future fade away.

(Rihanna):
You're gonna be a shining star, fancy clothes, fancy car-ars.
And then you'll see, you're gonna go far.
Cause everyone knows, who you are-are.
So live your life, ay ay ay.
instead of chasing that paper.
Just live your life (Oh!), ay ay ay.
Ain't got no time for no haters
Just live your life (Oh!), ay ay ay.
No telling where it'll take you.
Just live your life (Oh!), ay ay ay.
Cause I'm a paper chaser.
Just living my life.

(T.I.):
I'm the opposite of moderate, immaculately polished with the spirit of a hustler and the swagger of a college kid.
Allergic to the counterfeit, impartial to the politics.
Articulate but still would grab a nigga by the collar quick.
Whoever had problems, they reckoncile they just holla 'tip.
If that don't work and just fails, then turn around and follow 'tip.
I got love for the game but ay I'm not in love with all of it.
I do without the fame and the rappers nowadays are comedy.
The hootin' and the hollerin', back and forth with the arguing.
Where you from, who you know, what you make and what kind of car you in.
Seems as though you lost sight of whats important when depositing
your checks into your bank account, and you're about poverted.
Your values is a disarrayed, prioritized are horribly.
Unhappy with the riches cause you piss poor morraly.
Ignoring all prior advice and fore warning.
And we might be full of ourselves all of a sudden aren't we?

(Rihanna):
You're gonna be a shining star, fancy clothes, fancy car-ars.
And then you'll see, you're gonna go far.
Cause everyone knows, who you are-are.
So live your life, ay ay ay.
instead of chasing that paper.
Just live your life (Oh!), ay ay ay.
Ain't got no time for no haters
Just live your life (Oh!), ay ay ay.
No telling where it'll take you.
Just live your life (Oh!), ay ay ay.
Cause I'm a paper chaser.
Just living my life (ay), my life (oh), my life (ay), my life (oh)
Just living my life (ay), my life (oh), my life (ay), my life (oh)

(TI):
Got everybody watchin what I do
Come walk in my shoes
And see the way I'm livin if you really want to
Got my mind on my money
And I'm not goin nowhere
So keep on gettin your paper
And keep on climbing
Look in the mirror and keep on shining
Till the game ends, till the clock stops
We gon' post up on the top spot
Livin the life, the life In a brand new city got my whole team with me
The life, my life I do what I wanna do
I'm livin my life, my life
I will never lose, I'm livin my life, my life
And I'm not stopping
So live your life!

(Rihanna):
You're gonna be a shining star, fancy clothes, fancy car-ars.
And then you'll see, you're gonna go far.
Cause everyone knows, who you are-are.
So live your life, ay ay ay.
instead of chasing that paper.
Just live your life (Oh!), ay ay ay.
Ain't got no time for no haters
Just live your life (Oh!), ay ay ay.
No telling where it'll take you.
Just live your life (Oh!), ay ay ay.
Cause I'm a paper chaser.
Just living my life (ay), my life (oh), my life (ay), my life (oh)
Just living my life (ay), my life (oh), my life (ay), my life (oh)
So live your life.!!

Download Now: T.i. Feat. Rihanna - Live Your Life

Although Jessica Simpson dabbled in film, reality TV, and eventually contemporary country music during the 2000s, she is best known as a dance-pop vocalist who rose to fame in the late-’90s alongside such teenaged acts as 98°. Simpson was born and raised in Dallas, TX, where she began her performing career as a member of her church choir; at 12, she also auditioned unsuccessfully for The Mickey Mouse Club. While attending church camp the following summer, Simpson was discovered by the head of a tiny contemporary Christian music label and spent the next three years recording her debut album. However, the label folded before Simpson’s record could be released, although a small pressing was eventually funded by her grandmother. Nevertheless, the teen became a hit on the Christian Youth Conference circuit, where she shared bills with Kirk Franklin, God’s Property, and CeCe Winans.

Seeking to expand her popularity in the secular market, Simpson later signed to Sony and toured in support of the boy band sensation 98°. Teen pop was in full swing, and Simpson released her well-timed debut album, Sweet Kisses, in 1999. The album enjoyed smash singles with “I Wanna Love You Forever” and “I Think I’m in Love with You,” the latter of which sampled the chord progression from John Mellencamp’s “Jack and Diane.” A second studio effort, Irresistible, appeared in spring 2001. Despite MTV’s coverage of the album’s title track, Simpson’s sophomore effort didn’t fare as well as her debut, which reached multi-platinum status. In 2002, Simpson married her longtime boyfriend, 98° crooner Nick Lachey, and went on to appear in several episodes of That ’70s Show. However, she didn’t become a bona fide celebrity until the summer of 2003, when the MTV-produced reality show Newlyweds began documenting the first year of Simpson’s marriage to Lachey.

Simpson’s third album, a mature effort titled In This Skin, received a July 2003 release that smartly coincided with her hit TV show. The leadoff single “Sweetest Sin” was only a moderate chart hit, but thanks to the success of Newlyweds, Simpson’s teetering career refused to topple. A second single, “With You,” became a favorite among the MTV crowd, and by spring 2004, In This Skin had been re-released with reworked versions of Berlin’s “Take My Breath Away” and Robbie Williams’ “Angels,” as well as additional footage from the first season of Newlyweds. Simpson spent the rest of 2004 and early 2005 working on the second season of Newlyweds; she also expanded her onscreen presence by portraying Daisy Duke in the Dukes of Hazard movie. Late that year, she and Lachey separated amidst a flurry of rumors, with Simpson eventually filing for divorce in December 2005. Soon after, she set to work on her fourth album and starred in the Dane Cook vehicle Employee of the Month. A Public Affair arrived in summer 2006, featuring influences that ranged from ’80s new wave to contemporary country. The album went gold, a modest achievement given Simpson’s platinum-selling past, and the singer opted to refashion herself as a country artist for 2008’s Do You Know.

Album Tracks:

1. Come On Over (2:51)
2. Remember That (3:43)
3. Pray Out Loud (3:44)
4. You’re My Sunday (4:39)
5. Sipping On History (4:13)
6. Still Beautiful (3:43)
7. Still Don’t Stop Me (3:26)
8. When I Loved You Like That (4:05)
9. Might As Well Be Making Love (3:51)
10. Man Enough (4:19)
11. Do You Know (with Dolly Parton) (5:04)

Bitrate : 320 kbps (good quality)

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Atlanta-based Young Jeezy originally planned on having a background role in the music industry - as a businessman, not as a rapper. Years before making his first Def Jam album - Let’s Get It: Thug Motivation 101, released in July 2005 - he set up Corporate Thugz Entertainment and promoted Cash Money releases. From there, he branched out as a label boss and artist in his own right, releasing albums and mixtapes. Come Shop wit’ Me, his independently distributed debut from 2003, allegedly sold more than 50,000 copies. As a member of Boyz N da Hood, he was behind a self-titled album (released just weeks before Let’s Get It) that debuted in the Top Ten of the Billboard album chart. Driven by the hit “Soul Survivor,” Let’s Get It: Thug Motivation 101 eventually did even better, nestling at the number two spot in the Top 200. The Inspiration: Thug Motivation 102 followed in late 2006, and by that point, Jeezy had become one of the most prominent MCs. In 2007 he introduced his U.S.D.A. crew with the album Cold Summer, and then returned to his solo career a year later with the politically minded The Recession.

Album Tracks:

1. The Recession (Intro) (04:38)
2. Welcome Back (04:07)
3. By The Way (04:00)
4. Crazy World (03:57)
5. What They Want (03:53)
6. Amazin’ (04:16)
7. Hustlaz Ambition (03:40)
8. Who Dat (03:49)
9. Don’t You Know (04:58)
10. Circulate (03:49)
11. Word Play (03:15)
12. Vacation (03:47)
13. Everything feat. Anthony Hamilton and Lil Boosie (04:41)
14. Takin’ It There feat. Trey Songz (03:28)
15. Don’t Do It (04:06)
16. Put On feat. Kanye West (05:21)
17. Get Allot (04:29)
18. My President feat. Nas (05:30)

Bitrate : 320 kbps (good quality)

Download Young Jeezy - The Recession album :

Part 1 (93.55 MB)

Part 2 (78.70 MB)

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David Cook - Always be my baby lyrics

We were as one babe
For a moment in time
And it seemed everlasting
That you would always be mine

Now you want to be free
So I’m letting you fly
Cause I know in my heart babe
Our love will never die
No!

You’ll always be a part of me
I’m a part of you indefinitely
Girl don’t you know you can’t escape me
Ooh darling cause you’ll always be my baby
And we’ll linger on
Time can’t erase a feeling this strong
No way you’re never gonna shake me
Ooh darling cause you’ll always be my baby

I ain’t gonna cry no
And I won’t beg you to stay
If you’re determined to leave girl
I will not stand in your way
But inevitably you’ll be back again
Cause ya know in your heart babe
Our love will never end no

You’ll always be a part of me
I’m part of you indefinitely
Girl don’t you know you can’t escape me
Ooh darling cause you’ll always be my baby
And we’ll linger on
Time can’t erase a feeling this strong
No way you’re never gonna shake me
Ooh darling cause you’ll always be my baby

I know that you’ll be back girl
When your days and your nights get a little bit colder oooohhh
I know that, you’ll be right back, babe
Ooooh! baby believe me it’s only a matter of time

You’ll always be apart of me
I’m part of you indefinitely
Girl don’t you know you can’t escape me
Ooh darling cause you’ll always be my baby
And we’ll linger on
Time can’t erase a feeling this strong
No way you’re never gonna shake me
Ooh darling cause you’ll always be my my baby….

You’ll always be apart of me (you will always be)
I’m part of you indefinitely
Girl don’t you know you can’t escape me
Ooh darling cause you’ll always be my baby
And we’ll linger on (we will linger on….)
Time can’t erase a feeling this strong
No way you’re never gonna shake me
Ooh darling cause you’ll always be my baby
Always be my baby

Download mp3 David Cook - Always be my baby

Rihanna established her dance-pop credentials in summer 2005 with her debut smash hit, “Pon de Replay,” and continued to demonstrate such hit potential in subsequent years (e.g., “S.O.S.,” 2006; “Umbrella,” 2007). By the time her third album, Good Girl Gone Bad, arrived in 2007, she was a full-fledged international pop star with a regular presence atop the charts, from Germany to Japan. Born Robyn Rihanna Fenty on February 20, 1988, in Saint Michael, Barbados, she always exhibited a certain star quality, winning beauty and talent contests as a schoolchild. But because she lived on the fairly remote island of Barbados in the West Indies, she never foresaw the sort of stardom that would later befall her.

That stardom came courtesy of a fateful meeting with a man named Evan Rogers. The New Yorker was vacationing in Barbados with his wife, a native of the island, when someone turned him on to Rihanna. Since Rogers had spent years producing pop artists - including superstars like *NSYNC, Christina Aguilera, Jessica Simpson, Kelly Clarkson, Laura Pausini, and Rod Stewart - he offered her the opportunity to record some music after he recognized her talent. Along with Rogers’ production partner, Carl Sturken (the other half of Syndicated Rhythm Productions), Rihanna recorded several demos that sparked the interest of the Carter Administration - that is, newly appointed Def Jam president Shawn “Jay-Z” Carter. This led to an audition and, in turn, an on-the-spot offer to sign with Def Jam, which Rihanna indeed inked on the spot.

Come summer 2005, Def Jam rolled out “Pon de Replay,” the lead single of Music of the Sun. Produced almost entirely by Rogers and Sturken, the song also synthesized Caribbean rhythms with urban-pop songwriting. “Pon de Replay” caught fire almost immediately, climbing all the way to number two on The Billboard Hot 100 and contesting the half-summer reign of Mariah Carey’s “We Belong Together” atop the chart - this was before Music of the Sun even had been released. The album spawned one other hit, “If It’s Lovin’ That You Want,” which broke the Top 40. Rihanna’s follow-up album, A Girl Like Me, was a greater success, spawning three big singles: a chart-topper (”S.O.S.”) and two Top Tens (”Unfaithful,” “Break It Off”).

Rihanna’s third album, Good Girl Gone Bad (2007), continued her success and, more notably, signaled a change of direction. Whereas her past two albums had been imbalanced - often weighed down by faceless balladry and canned Caribbean-isms - Good Girl Gone Bad was a first-rate dance-pop album. Moreover, it was surprisingly solid, stacked with several chart-topping singles and boasting collaborations with Jay-Z, Ne-Yo, Timbaland, and StarGate. The lead single, “Umbrella,” shot to number one and, for the third year in a row, was a potential “song of the summer.” By this point it was clear that Rihanna had become one of the biggest singles artists of the mid-2000s.

Album Tracks:

1. Umbrella (Feat. Jay-Z) (4:36)
2. Push Up on Me (3:15)
3. Don’t Stop the Music (4:27)
4. Breakin’ Dishes (3:20)
5. Shut Up and Drive (3:33)
6. Hate that I Love You (Feat. Ne-Yo) (3:39)
7. Say it (4:10)
8. Sell Me Candy (2:45)
9. Lemme Get that (3:41)
10. Rehab (4:54)
11. Question Existing (4:08)
12. Good Girl Gone Bad (3:35)

Bitrate : 320 kbps (good quality)

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After surfacing in 2000 with the breakthrough single “Yellow,” Coldplay quickly became one of the biggest bands of the new millennium, honing a mix of introspective Brit-pop and anthemic rock that landed the British quartet a near-permanent residence on record charts world-wide. The group’s emergence was perfectly timed; Radiohead had just released the overly cerebral Kid A, while Oasis had ditched two founding members and embraced psychedelic experimentation on Standing on the Shoulders of Giants. U.K. audiences were hungry for a fresh-faced rock band with big aspirations and an even bigger sound, and Coldplay were more than happy to take the reigns. Parachutes went multi-platinum in several countries and earned the band their first Grammy, but Coldplay continued to grow into the 2000s, topping their debut album’s success with higher record sales and an increased public profile.

Chris Martin (vocals/piano), Jon Buckland (guitar), Will Champion (drums), and Guy Berryman (bass) were all born into musical households. Martin, the eldest of five, began playing the piano as a young child and later took solace in the work of Tom Waits. Buckland, on the other hand, grew up with the heavy guitar sounds of Eric Clapton and Jimi Hendrix. Scotland native Berryman preferred funk to indie rock, thereby leaving him to play bass, while multi-instrumentalist Champion didn’t plan to be a drummer until he joined Coldplay’s lineup. The bandmates came together in 1996 while attending the University College of London, and the Safety EP was issued shortly after their first gig at a Manchester festival for unsigned bands. The release only saw 500 pressings, as did the subsequent Brothers & Sisters EP. Nevertheless, it was enough to win the band a U.K. deal with Parlophone Records in April 1999, and the five-track Blue Room EP arrived that fall. With nods from the media, the foursome was hailed as the next Travis, thanks to their simplistic acoustics and charming personas.

Parlophone ushered the band into Parr St. Studios in Liverpool, where they recorded the bulk of their debut album. Parachutes was released in July 2000 and became a swift hit on the strength of four U.K. singles, several of which enjoyed popularity in America as well. With “Yellow” climbing the charts on both sides of the Atlantic, Parachutes was released in the U.S. in November, where its sales soon rivaled - and eventually surpassed - those in the U.K.

Riding on the strength of their universally popular debut, Coldplay headed back into the studio in fall 2001 to work on a sophomore album. They emerged with A Rush of Blood to the Head, releasing the album worldwide in August 2002 and embarking on a global concert tour soon after. “The Scientist” enjoyed regular radio rotation, while both “Clocks” and “In My Place” won Grammy Awards. The CD/DVD package Live 2003 was issued to highlight the group’s popular tour, and Martin specifically earned a higher notch on the celebrity scale by marrying actress Gwyneth Paltrow in December 2003. Paltrow gave birth to the couple’s first daughter, Apple Blythe Alison Martin, the following April.

Fatherhood didn’t stop Martin from working, as Coldplay began recording material for a third album within weeks. Previously recorded material with longtime producer Ken Nelson was scrapped early on, while Danton Supple (Morrissey, the Cure) joined Coldplay to complete the recording of X&Y. “Speed of Sound” marked Coldplay’s first single from their long-awaited third effort in spring 2005; the album followed in June, topping charts around the world and selling more than eight million copies during its first year. Such success put Coldplay on the same commercial level as U2, and Coldplay retreated to the studio in late 2006 to work with famed producer Brian Eno (who had teamed up with U2 two decades prior for The Joshua Tree). Recording sessions with Eno were completed within one year, followed by several months of mixing and growing anticipation from the band’s audience. Viva la Vida - also known by its extended name, Viva la Vida or Death and All His Friends - ultimately arrived in June 2008.

Album Tracks:

1. Life In Technicolor
2. Cemeteries Of London
3. Lost!
4. 42
5. Lovers In Japan/Reign Of Love
6. Yes
7. Viva La Vida
8. Violet Hill
9. Strawberry Swing
10. Death And All His Friends

Bitrate : VBR

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A savvy pop-rapper with crossover appeal, Nelly seemed like a novelty when he first debuted in summer 2000 with “Country Grammar (Hot…),” yet he was no one-hit wonder, consistently returning to the pop charts with successive smash hits like “Hot in Herre.” His universality is partly rooted in his hometown: the Gateway City, officially known as St. Louis, MO, which set him apart from all of the prevailing rap styles of his time. He wasn’t from the East or West Coast, nor was he from the South; located in the middle of the United States, St. Louis is a Midwestern city halfway between Minneapolis and New Orleans, built upon on the western banks of the Mississippi River. Nelly’s locale certainly informs his rapping style, which is as much country as urban, and his dialect as well, which is as much Southern drawl as Midwestern twang. Plus, Nelly never shied away from a pop-rap approach, embracing a singalong vocal style that made his hooks catchier than most, thanks also in part to his standby producer, Jason “Jay E” Epperson. As a result, Nelly became a rapper capable of crossing practically all boundaries, from the Dirty South to TRL and everything in between. His first hit, “Country Grammar (Hot…),” became a nationwide summer anthem, and many more smash hits followed. His popularity peaked in summer 2002, when he topped seemingly every Billboard chart possible with his Nellyville album and its lead single, “Hot in Herre.

”Born Cornell Haynes, Jr., on November 2, 1974, in St. Louis, Nelly moved with his mother from the inner city to suburban Universal City as a teen. There he chiefly attended to baseball and rap, forming the St. Lunatics with a group of his peers (including Big Lee, Kyjuan, Murphy Lee, and City Spud). The St. Lunatics enjoyed a regional hit in 1996 with the self-produced single “Gimmie What You Got,” but no recording deal was forthcoming. Frustrated with failed attempts to land a recording deal as a group, the St. Lunatics collectively decided that Nelly would have a better chance as a solo act. The rest of the group could follow with solo albums of their own. The gamble paid off, and soon Nelly caught the attention of Universal, who signed him to a solo deal.

His debut album, Country Grammar (2000), featured contributions from the St. Lunatics as well as the Teamsters, Lil Wayne, and Cedric the Entertainer, and thanks to the widespread popularity of lead single “Country Grammar (Hot Shit),” Country Grammar debuted at number three on the Billboard 200 album chart, climbing to the top spot soon afterward. In addition to the Top Ten title track, Country Grammar spawned the hits singles “E.I.,” “Ride wit Me,” and “Batter Up.” In the wake of Nelly’s remarkable breakthrough success, he recorded a group album with the St. Lunatics, Free City (2001); released by Universal, the album charted Top Three and spawned a moderate hit, “Midwest Swing,” which cracked the Billboard Hot 100 at number 88.

The following summer Nelly returned with his second album, Nellyville (2002), and lived up to his self-proclaimed billing as “#1″ (i.e., the title of his 2001 hit from the Training Day soundtrack): Nellyville topped the Billboard album chart while the Neptunes-produced lead single, “Hot in Herre,” remained atop the singles chart. In all, Nelly impressively held the number one spot on ten different Billboard charts the week of Nellyville’s release, and he remained a chart presence as he released a string of follow-up singles: “Dilemma” (a chart-topper), “Air Force Ones” (a Top Three hit), “Work It” (featuring Justin Timberlake), and “Pimp Juice” (the source of some controversy).

Even once Nellyville ran its course commercially, Nelly’s hit streak continued unabated, with “Iz U” (from his stopgap remix album Derrty Versions [2003]) and “Shake Ya Tailfeather” (from the Bad Boys II [2003] soundtrack) keeping him in the spotlight while he readied his separately released double-disc Sweatsuit (2004) project (following the lead of OutKast and R. Kelly, who had both recently released very successful two-disc sets). Sweat and Suit were led by a pair of red-hot singles - “Flap Your Wings” (a club jam) and “My Place” (a slow jam) - and debuted at the top two spots on the Billboard 200 album chart. Follow-up singles included “Tilt Ya Head Back” (featuring Christina Aguilera), “Over and Over” (Tim McGraw), “Na-Na-Na-Na” (Jazze Pha), and “N Dey Say.” Sweat and Suit were later bundled as Sweatsuit (2005), along with the new song “Grillz,” itself a number one hit. The time between its release and that of Brass Knuckles (2008) was the longest Nelly went between albums to date, though he did collaborate frequently (with Ashanti, R. Kelly, and T.I., to name only a few) during the down time.

Album Tracks:

1. U Ain’t Him [Ft. Rick Ross]
2. Hold Up [Ft. T.I. and LL Cool J]
3. L.A. [Ft. Snoop Dogg and Nate Dogg]
4. Long Night [Ft. Usher]
5. Lie [Ft. St. Lunatics]
6. Party People [Ft. Fergie]
7. Self-Esteem [Ft. Chuck D]
8. Body On Me [Ft. Akon and Ashanti]
9. Stepped On My J’z [Ft. Jermaine Dupri and Ciara]
10. Let It Go [Ft. Pharrell Williams]
11. One And Only
12. Chill [Ft. St. Lunatics]
13. Who F***s Wit Me [Ft. Avery Storm]
14. Ucud Gedit [Ft. Gucci Mane and R. Kelly]

Bitrate : 320 kbps (good quality)

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Part 1 (89.18 MB)
Part 2 (50.64 MB)

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Slipknot’s mix of grinding, post-Korn alternative metal, Marilyn Manson-esque neo-shock rock, and rap-metal helped make them one of the most popular bands in the so-called nu-metal explosion of the late ’90s. But even more helpful was their theatrical, attention-grabbing image: the band always performed in identical industrial jump suits and homemade Halloween masks, and added to its mysterious anonymity by adopting the numbers zero through eight as stage aliases. Add to that a lyrical preoccupation with darkness and nihilism, and an affectionately insulting name for their fans (”Maggots”), and Slipknot’s blueprint for nu-metal success was set.

Slipknot were formed in late 1995 in the unlikely locale of Des Moines, IA; after some early personnel shifts, the nine-piece lineup settled around (in order from number zero to number eight): DJ Sid Wilson, drummer Joey Jordison, bassist Paul Grey, percussionist Chris Fehn, guitarist James Root, sampler/programmer Craig Jones, percussionist Shawn “Clown” Crahan, guitarist Mick Thompson, and lead vocalist Corey Taylor. The music scene in Des Moines wasn’t much to speak of, and the band’s big-time ambition was usually met with disbelief and ridicule, which provided the initial spark for its mostly anonymous stage visuals. On Halloween 1996, Slipknot self-released an album called Mate. Feed. Kill. Repeat., which began to build a buzz around the group once it found its way to several labels. It was picked up for distribution by the Nebraska-based -ismist label, and also caught the attention of Roadrunner Records, which signed Slipknot in 1997. Working with producer Ross Robinson, Slipknot recorded their official, self-titled debut album, which was released in 1999. They gradually built an audience through near-constant touring, working their way up to the summer Ozzfest package tour, which really expanded their audience. Their live shows were a much-discussed hit with metal fans, and the band performed with such energy that Crahan gashed his head open on his own drum kit twice that summer, requiring stitches both times. The tracks “Wait and Bleed” and “Spit It Out” got the band some airplay, but most of the buzz came from touring and word of mouth. Finally, in the spring of 2000, Slipknot was certified platinum; the first such album in Roadrunner’s history.

The anticipation for Slipknot’s follow-up was intense, and many industry observers predicted that it would debut at number one; however, faced with some stiff competition that week, the band’s sophomore effort, Iowa, bowed at number three upon its release in 2001. More heavy touring followed, including another, more prominent slot on that summer’s Ozzfest. After a long spell on the road, Slipknot took a break while the members worked on side projects. The band set up its own label, Maggot Recordings, and signed a band called Downthesun, whose lead singer had served as Crahan’s drum technician. Wilson, meanwhile, began DJing solo under the name DJ Starscream, and Root and Thompson both worked on solo material. Drummer Jordison worked with a side group called the Rejects, where he’d actually served for quite some time as guitarist. Taylor, meanwhile, started a side band called Superego, and also contributed a solo song, “Bother,” to the soundtrack of the 2002 blockbuster Spider-Man. That May, the band got some amusing press when some of its fans discovered the website of a British crocheting group also called “Slipknot,” and flooded the members’ in-boxes with excessively rude e-mails. Guitarist Joey Jordison and Static-X guitarist Tripp Eisen teamed that summer for the Murderdolls project, while Taylor reformed his old band Stone Sour and released an album. By the winter, Slipknot had still not reunited and Taylor wrote a commentary on the band’s website stating that they had not spoken in months, and that they’d rather break up than become “the next Gwar”. The statement sparked a quickly resolved minifeud between Taylor and Gwar frontman Oderus Urungus. but it also sent many of the Maggots into a tailspin. By early 2003, Taylor had retracted his comments, and announced plans for a new Slipknot album. That August the entire squad decamped Iowa for LA, where they began work on the new record with producer Rick Rubin. “Pulse of the Maggots” appeared in early 2004 as an exclusive download; it was followed by a full track listing for Vol. 3: The Subliminal Verses. Slipknot then embarked on a brief tour as a warm-up for their dates headlining Ozzfest that summer. (The group also debuted a fully redesigned third generation of their famous masks.) Subliminal Verses was released in May 2004. It peaked at #2 on the Billboard 200, and the band toured steadily for the next year and a half in support. They released 2-disc live album in November 2005, followed by a slew of side projects (Taylor and Root formed Stone Sour, while Jordison sat in with Ministry and Korn) before releasing their fourth full-length album All Hope Is Gone in 2008.

Album Tracks:

1. Execute (1:49)
2. Gematria (The Killing Name) (6:02)
3. Sulfur (4:38)
4. Psychosocial (4:42)
5. Dead Memories (4:29)
6. Vendetta (5:16)
7. Butcher’s Hook (4:15)
8. Gehenna (6:53)
9. This Cold Black (4:40)
10. Wherein Lies Continue (5:37)
11. Snuff (4:36)
12. All Hope Is Gone (4:45)

Bitrate : VBR

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Vocalist Duffy is a throwback of sorts with a sanguine, melodic voice that brings to mind such ’60s artists as Dusty Springfield and Petula Clark. Born Amy Ann Duffy in the small coastal town of Nefyn on the Llyn Peninsula in Gwynedd, Wales, Duffy sang from an early age, but with a record collection limited to her parents classic LPs, she had few influences to draw from. Undeterred, Duffy began performing with various bands throughout her teens and, around 2004, caught the ear of agent and Rough Trade owner Jeannette Lee, who helped nurture the young singer’s burgeoning talent by pairing her up with former Suede guitarist Bernard Butler. The duo co-wrote several songs, including the single “Rockferry,” which revealed Duffy’s knack for a Stax- and Motown-influenced pop sound. Duffy’s debut albumn Rockferry, was released on Polydor in 2008.

Album Tracks:

1. Rockferry
2. Warwick Avenue
3. Serious
4. Stepping Stone
5. Syrup & Honey
6. Hanging On Too Long
7. Mercy
8. Delayed Devotion
9. I’m Scared
10. Distant Dreamer

Bitrate : 320 kbps (good quality)

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Actress and singer Demi Lovato came to the public’s attention after starring alongside the Jonas Brothers in the 2008 Disney Channel original movie Camp Rock. Born in Dallas, TX, in 1992, Lovato is the daughter of a former Dallas Cowboys Cheerleader and has two sisters, the older of whom, Dallas Lovato, is also a pop singer. Demi started out as a child actress starring as a cast regular on Barney and Friends and has appeared in the Disney Channel show As the Bell Rings. Lovato’s debut album, Don’t Forget, featuring songs co-written by the Jonas Brothers, was released on Hollywood Records in 2008.

Album Tracks:

1. La La Land
2. Get Back
3. Trainwreck
4. Party
5. On The Line (featuring the Jonas Brothers)
6. Don’t Forget
7. Gonna Get Caught
8. Two Worlds Collide
9. The Middle
10. Until You’re Mine
11. Believe In Me

Bitrate : 320 kbps (good quality)

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Contemporary R&B rising star Jazmine Sullivan spent several years learning the ropes of the recording industry before signing to J Records and making her solo recording debut in 2008 with “Need U Bad.” The Philadelphia-based singer/songwriter began her career at a young age, making her national television debut on Showtime at the Apollo at age 11 and signing to Jive Records at age 15. Her stint at Jive Records only lasted a couple years, however, and she was dropped by the label before any recordings were released. In the wake of this disappointment, she began working behind the scenes, for instance working with Missy Elliott on productions for Fantasia’s debut album, Free Yourself (2004), and writing a couple songs for Christina Milian’s third album, So Amazin’ (2006), including the hit single “Say I.” Sullivan was then offered a solo recording contract with J Records, which released her debut single, “Need U Bad,” featuring and co-produced by Missy Elliott, in 2008. Fearless, her full-length album debut, featuring productions by Salaam Remi and Stargate, among others, was issued that September.

Album Tracks:

1. Bust Your Windows
2. Need You Bad
3. My Foolish Heart
4. Lions, Tigers & Bears
5. Call Me Guilty
6. One Night Stand
7. After the Hurricane
8. Dream Big
9. Live A Lie
10. Fear
11. In Love with Another Man
12. Switch (Bonus Track)

Download album :

Part 1 (53.33 MB)

Part 2 (49.56 MB)

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Download AC/DC Black Ice Free

Download AC-DC Black Ice 2

Founded by choreographer Robin Antin in 1995, the Pussycat Dolls began as a burlesque dance revue based in Los Angeles, spawned a second revue in Las Vegas, grew into an A-list phenomena with a revolving cast of guest celebrities, and eventually became a recording act with a number one dance hit.
It wasn’t long after launching its revue that the troupe began attracting actresses and models who wanted to become a Pussycat Doll for a night. Christina Aguilera, Pamela Anderson, Kelly Osbourne, Pink, Britney Spears, Carmen Electra, and Gwen Stefani are just some of the names who donned lingerie and pinup costumes and joined the Dolls for their flirtatious shows.

An appearance in the 2003 film Charlie’s Angels: Full Throttle was followed by numerous television appearances, most with Carmen Electra. Capitalizing on the nationwide attention and the addition of former Eden’s Crush member Nicole Scherzinger as lead singer, the single “Don’t Cha” with special guest Busta Rhymes appeared at the beginning of 2005 and climbed to number two on the pop chart, number one on the dance chart.

With help from the Black Eyed Peas’ will.i.am and producer Timbaland, the Pussycat Dolls recorded their full-length debut. The A&M label released PCD, a Top Ten hit, in the summer of 2005. In 2008 member Carmit Bachar left to pursue a solo career while the Interscope label announced that a solo album from Scherzinger was being put on hold after four teaser singles failed to climb the charts. Continuing on as a five-piece, the Dolls released both the single “When I Grow Up” and the album Doll Domination that same year.

Album Tracks:

1. When I Grow Up (04:06)
2. Bottle Up Ft. Snoop Dogg (03:30)
3. Watcha Think About that Ft.Missy Elliott (03:49)
4. I Hate this Part (03:39)
5. Takin’ Over the World (03:35)
6. Out of this Club Ft. R.Kelly & Polow Da Don (04:08)
7. Who’s Gonna Love You (04:00)
8. Happily Never After (04:49)
9. Magic (03:41)
10. Halo (05:24)
11. In Person (03:36)
12. Elevator (03:41)
13. Hush Hush (03:49)
14. Love the Way You Love Me (03:21)
15. Whatchamacallit (04:20)
16. I’m Done (03:18)

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This is the first post of this blog, i promise myself i will not delete it so i will know the day i create this blog :)
This blog was created to share information about songs, lyrics, and ofcourse free download mp3 songs.